The top number tells us how many of the specified notes are in a bar and the bottom number tells us what duration ie:
The time signature together with an understanding of the musical style of the period in which the music was written tell you what the rhythm is and what the accents are supposed to be in general.
Specific notes in specific measures might be written in such a way as to over-ride the default pattern. There are two beats in the measure, and each beat is further divided into three sub-beats.
One beat is represented by a dotted quarter note three eighth notes so there are two of those beats in the measure. Among the six sub-beats, the strong beats are "1" and "4", and we generally count them out loud by saying "ONE two three TWO two three".
They're where the kick drum gets played, whereas 2 and 4 will be for snare, so not as emphasised. Reggae, yes, 2 and 4, breaking all the 'rules'! I'm an early music and folk music guy and so I play both with very strong downbeat emphasis for folk dances such as morris and with no bar-based emphasis at all earlier baroque chamber music, where all the emphasis comes from understanding the phrase structure, which only coincides with bars sometimes.
We struggle a lot with newer people to early music who can't let go of the idea that beat one needs to be strong all the time. When reading a sentence, you don't make an explicit pause after each word, yet the word structure is related to the conveyed meaning, and somebody reading a written text does it subtly different from somebody reading a continuous phonetic transcription.
It's more important that you feel the meter than that you execute it. When that is the case, it is again more important that the musician feels the changed meter rather than that he "executes" the accents.
This becomes particularly important with some particular dances where the rhythms are usually rendered unevenly, like a Viennese Waltz where the second and third beat drag somewhat, or swinged rhythms where the off-beat notes are somewhat delayed:9/8 means 9 8th notes in a bar, right.
so i put the 8th notes in groups of 3s - triplets. thre are three groups of 3s in this time signature, right. i would count each beat as 'l&a', 2&a' and 3&a' or Top number in time signature: Gives the number of beats per measure: Dividing the number by 3 gives the number of beats per measure.
If the number is greater than 3 and is also divisible by 3, the time signature is probably compound. Bottom number in time signature: Indicates the . Time Signature Notes and Rests Dots Ties Beams Triplets Repeats Alternate Endings.
How to Read Guitar Tab. Guitar tab or tablature is a very popular method of notating guitar music. What makes tab so popular is that, once you get the hang of it, it is very easy to read. Understanding Time Signatures When Reading Music Another “signature” on the staff is the time signature.
It gives you information regarding how many beats are in a measure and which note . Add one note and two rests. Choose a time signature: A whole bar of silence.
Add a rest. Complete this bar using rests only. Add three notes. Add two notes and two rests. Complete this bar with just one note. Add a bar line.
Complete the time signature. Choose a time signature: or. For instance, 4/4 is a time signature telling the performer that there are four quarter notes in each bar and each is one beat, while the more general term meter merely describes that there are four evenly spaced pulses per repetition of the pattern.