McGill-Queens University Press,
Literary Criticism This bibliography draws upon the research of other DeLillo bibliographies, especially: Compiled by Mark Osteen, 10 June Last revised by Karim Daanoune, 5 August McGill-Queens University Press, Zum Romanwerk Don DeLillos.
Logos Verlag, [in German]. The Possibility of Fiction. Worldly Acts and Sentient Things: Cornell University Press, The Physics of Language.
University of Georgia Press, Second edition paperback with Cosmopolis chapter, Atlande, [in French]. Beyond Grief and Nothing: A Reading of Don DeLillo.
University of South Carolina Press, Dewey, Joseph, Steven G. Kellman, and Irving Malin, eds.
University of Delaware Press, Speculations of the Third Edgar. Underworld as Mutable Narrative. The Myth of the American Adam.Unfortunately, though, Cosmopolis is laden with abrupt, arbitrarily off-putting gnomic utterances (e.g., after Elise orders a restaurant salad, “She dug right in, treating it as food and not some extrusion of matter that science could not explain”).
10 “Longing on a Large Scale:” Models of Communitarian Reconstitution in Don DeLillo’s Fiction Paula Martín Salván Introduction The word “community” rarely occurs in Don DeLillo’s fiction.
Don DeLillo Essay “It’s my nature to keep quiet about most things - Don DeLillo Essay introduction.
Even the ideas in my work. When you try to unravel something you’ve written, you belittle it in a way. This paper focuses on DeLillo’s White Noise () and Cosmopolis () by drawing on major theorists of the sublime like Kant, Jameson, Zizek and, most notably, Lyotard, in an attempt to shed.
Don De Lillo’s mode of writing is a form of counterlanguage supplying a web of contraband narratives in which incongruous elements are “smuggled in”, but meant to . "Le Sense de la crise dans White Noise de Don DeLillo [The Sense of Crisis in Don DeLillo's White Noise]." Éclats de voix: Crises en représentation dans la littérature nord-américaine [ Bursts of Voice: Crises in Representation in North American Literature ].